Stockists of an extraordinary range of European handmade lampwork beads from patterned roses and swirls to aventurina and sommerso.
Buy our handmade Czech and Venetian glass beads online or at the craft shows. Stitches and Craft in Feb and Quilt and Craft in June, ICC Darling Harbour, Sydney.
Read more below on how lamp work beads are made, the different decorations available and the history of the glass industry in Venice.
How are Handmade Glass Beads Made?
Handmade glass beads are worked over a flame which is supplied by natural gas to generate the heat required to melt the glass.
Hot glass brought into contact with hot glass forms an instant and perfect join. Performed in small workshops, glass rods or canes (3/16” in diameter) are melted over gas fuelled torches (previously oil lamps were used, hence the name lamp work, if you were wondering) pressed in a mould and turned into the desired shape.
Their holes are made by copper wire, which are dissolved in nitric acid once the bead is made.
Types of Handmade Glass Bead Decoration
The beads are decorated by “painting” trails of molten glass from smaller canes to create unique pieces of art. The process in which they are made is the same today as it was a thousand years ago. Molten glass is used to decorate the bead by “painting” with trials of molten glass from smaller canes of colour including:
- gold stone (aventurine), which is a glass paste composed of copper powder known as gold stone, gives a shimmering or inner sparkle appearance to the bead. (crystallised from the colouring agent used in the glass.) The crystalising process occurs during a lengthy cooling of the molten glass in a special glass vessel. The process was accidently discovered on Murano about 1610-1625. Early documents also refer to aventuirna as pasts stellaria. It is avail in gold ,blue or green tint. The latter two are not so common.
- silver or gold foil where the foil is inserted beneath the top layer of glass
- roses which are also known as paperweight beads, have a rosebud against satin glass on each side encased within a clear crystal dome.
- swirls on the surface or core of the bead
- sommerso which is colour within layers of beads.
- millefiori- (glass of a thousand flowers) Slices of multicoloured canes (each glass thread is barely a millimetre in diametre) incorporated into clear glass. The canes are still produced by hand.
- dichroic glass is a multi layer coating placed on glass by using a highly technical vacuum coating deposition process. Quartz crystal & Metal Oxides are Vapourised with an electron beam gun in an airless vacuum chamber & the vapour then floats upward & attaches then condenses on the surface of the glass in the form of a crystal structure. Some colours have as many as 30 layers of these materials yet the thickness of the total coating is approximately 35millioniths of an inch. The coating that is created is very similar to a gemstone & by careful control in thickness, different colours are obtained. The coatings are created using the same materials originally created by the Aerospace industry. This process creates two colour shifts depending on the angle and view of light. The result is truly unique! Ie it has a transmitted colour & completely different reflective colour.
- chevrons were first produced by the venetians from 1500s. They are a draw glass cane bead design with usually 7 moulded layers and 12 points. They are formed by blowing a single or multiple layered gather of glass into a tapered mould with corrugated sides, thus producing points on its outer surface. This pleated gathering is subsequently encased with additional glass layers if carious colours, which again be moulded to produce further outer layers with points. Finally strips may be applied to the outer surface. Still viscid, this multi layered hollow gather is then quickly drawn into a cane of at least 2m, cooled and finally sectioned into beads. In the1800s. The Venetians produced chevrons in great numbers with 4 or 6 layers in red white and blue which were traded in West Africa. We stock some reproduction chevrons made in India in the 1980s.
Their beauty, therefore, makes them a great choice for the focal point in your jewellery, or simply as an additional accent.
Venetian Glass Beads
The Roman glass industry evolved into a bead centre on the island of Murano, which dominated the world bead trade from the Renaissance.
In 1292 glass makers were moved to the island (by mandateof the Doges of Venice) as there was a great risk of fire by the furnaces destroying homes which were made entirely of wood.
The glass workers were forbidden (punishment by death) to reveal their secrets or emigrate.
Glass bead making techniques are still passed down by word of mouth.
The glass industry was highly organised & was strictly controlled by the Guild of Glassmakers.
A vast trading fleet sustained this virtual monopoly, importing raw materials & exporting finished goods.
By the middle of the 16th century the Venetians had perfected major techniques of making and decorating glass.
Indian Glass Beads
With a love of decoration Beaded Jewellery plays an important part in Indian life.
India imported European beads in earlier centuries. (under the Roman Empire, with the discovery of New Continents by explorers including Marco Polo beads were traded from the 15th on wards)
India now however produces vast amounts of glass beads as well as metal, silver, wood and semiprecious.
Bead making is divided into special guilds according to the materials and techniques used.
(similar to the Ancient Egyptian System).
The techniques and quality of the beads have improved over the years and India now produces fancy glass work by the Venetian artisans. Even though they are not as nice as the real thing – these beads make a very worthwhile substitute & cheaper.
Indian glass has an obvious roughness about it that can really add to your work when a hand-worked look is required. I really love the chunky foil lined “mexican” beads that have become popular in recent years reflecting the vibrant colours and the bold shapes of Mexico.
Most beads are made in a Kiln (furnace) beads are made in a similar way to lamp beads, the main difference being the heat source.
Care for Glass Beads
The white powdery core is from the China clay used as release agent when the glass is wound onto the metal rod.
The process of making glass is chemical. It is therefore best to clean your beads to ensure there is no residue left on the beads. This also makes them sparkle & shine. Soap and luke warm water work well. There is no need to use stronger solutions.